Tag Archives: club fantasci

Club Fantasci Discusses The Daedalus Incident by Michael J Martinez

Here it is, the long-awaited September Hangout for Club Fantasci where we discuss The Daedalus Incident by Michael J Martinez. We also farewell Dionne Lister, who is sadly departing.

We were initially delayed by technical difficulties (I have ongoing internet problems thanks to a heartless telecommunications company) and then Dionne and I were overseas. We managed to get this one working, but again due to technical issues, we had to switch from G+ Hangout to Skype, and while everything seemed fine at the time, now the recording has our lips and voices out of sync *sigh*. Nothing is ever easy… We do apologise for the quality on this one. Don’t even talk to me about the dramas I had getting my microphone to work, which resulted in a headset and a desire to smash something!

Michael J Martinez is absolutely lovely, and his books rock. If you haven’t read The Daedalus Incident already, go out and buy it now, and keep an eye out for The Enceladus Crisis, coming in (northern hemisphere) fall. Oh, and follow him on Twitter – @mikemartinez72

On a sad note, I must announce that I have been forced to decide to leave Club Fantasci. My husband is part of the bushfire division of our National Parks department, and has been more or less absent for the last 4 weeks fighting the Sydney bushfires, and I don’t even have enough time to manage two kids and still work my job. Reading and writing has more or less fallen by the wayside, and I just don’t have the time to commit (which is at least part of the reason it was November before we did the September review…). That being the case, it’s just not fair for me to remain with the club.

I may be able to revisit my options once the bushfire season is over.

Roughly how my technology has made me feel lately!

Book Review: Waylander by David Gemmell


The basic story idea of Waylander is like a picture of a Big Mac – perfect, juicy, mouth-watering, and oh so tempting. The book itself, unfortunately, is the sad, squashed reality handed to you in the drive thru.

Waylander is an infamous assassin, whose conscience is touched – literally – by the purity of the priest Dardalion, whom Waylander incidentally saves in pursuit of his stolen horse. Waylander’s walk towards the light would have been more compelling if it had been by conscious choice rather than appearing to be by ‘infection’ with Dardalion’s purity. At the same time, Dardalion is tainted by Waylander’s amorality and abandons his pacifist stance, taking up weapons in defence of the innocent – to the horror of most of his brother priests.

Waylander is approached by the old King of Drenai, and father of the king he murdered, to find and retrieve his fabled ‘Armour of Bronze’. The armour has no special powers, but could serve as a rallying point for Egel, the general leading the failing Drenai army against the invading Vagrian forces. Although there is no particular reason for him to agree, Waylander does so, even though he is assured of almost certain death in the attempt.

While David Gemmell clearly has some understanding of the elements of a good story, his execution into the written word is clumsy at best. There is rarely any sense of setting, and then when there is, it is insufficient for the reader to feel they are present. Many of the characters are poorly defined and indistinguishable from each other. Some minor characters seem to have received more development than they should, while some major characters languished from neglect. Dialogue was short and sharp, with no identifying characteristics to identify the speaker; it suffered from ‘talking heads syndrome’ and the characters were indistinguishable. Some characters act in ways which defy logic or reason, apparently behaving in that way solely because it suited the author. The romance is handled clumsily, and the characters fall into each other’s arms with a suddenness that is unconvincing. In fact, I was more convinced she’d happily cut his throat and never shed a tear.

Some of the most interesting parts of the book are Waylander’s explanation of the nature of fear, and his philosophical attitude towards it, and Dardalion’s exposition on why taking up arms in defence of the innocent is more of a sacrifice than merely allowing himself to be killed for the benefit of no one.

While I was not impressed with the book this time around, I did enjoy it a lot more when I was a teenager, and David Gemmell is amazingly popular, so his books do appeal to a certain audience. If you’re in your teens, or simply enjoy your fantasy straightforward, uncomplicated and limited to a single book, this may still be worth your time.

Waylander by David Gemmell: Review by Club Fantasci

Club Fantasci held its May Hangout on Friday to discuss Waylander by David Gemmell. You can watch the discussion by hosts Dionne Lister, David Lowry, Melody-Anne Jones Kauffman (or MJ as she likes to be called) and myself below. All hate mail to MJ!

Reviews by each of the hosts will be available on the Club Fantasci website. Don’t forget to follow us on Twitter, Facebook and Goodreads

June’s Book of the Month is Fool Moon by Jim Butcher and you can join us for the discussion on Friday June 28 7:30pm CST.

The Glass Demon: Review by Club Fantasci

Club Fantasci held its April Hangout on Friday to discuss the Glass Demon by Helen Grant. You can watch the discussion by hosts Dionne Lister, David Lowry, Kriss Morton and myself below.

Reviews by each of the hosts will be available on the Club Fantasci website. Don’t forget to follow us on Twitter, Facebook and Goodreads

May’s Book of the Month is Waylander by David Gemmell and you can join us for the discussion on Friday May 31 7:30pm CST.

Ender’s Game by Orson Scott Card: A Review by Ciara Ballintyne

What would you do if the fate of the world hung on a child, aged six? Would you make the hard decisions to subject the child to the trials necessary to give that child the capabilities, together with natural intelligence, to actually save the world? Could you?

Earth has been twice invaded by giant insectoid aliens. Casualties were horrific. We were outnumbered and outgunned. The first time we nearly lost. The second time we were saved by the genius tactician Mazer Rackham. Now we are preparing for the third invasion, and while our technology has advanced, so will have the ‘buggers’. Our hopes rest on a pre-emptive strike to the buggers’ homeworld, but we have no commander.

Ender is a Third – a third child in a world where couples are allowed only two. The government had great hopes for his older brother, Peter, but found him too cruel, too ambitious, to lead their fleet. Their hopes switched to his sister, but she was too gentle, and so, in hopes of a child with the qualities of both Peter and Valentine, the government authorised the birth of Ender.

Monitored almost since birth, Ender is taken from his parents at the age of six and sent to a school for talented children destined for great careers in the space fleet. While they make no secret of the fact they hope he will command the fleet in the attack against the buggers’ homeworld, Ender is subjected to incredible pressure in order to force him to learn to think his way out of almost any impossible scenario.

The majority of the training at the Battle School is mock training in zero gravity conditions between groups of other students, where tactics more than brute strength rule the day. Isolated, friendless, and made a target for bullies, Ender nevertheless demonstrates his ability to out think almost any adversary, defeating enemies or making them his allies. Each time he rises to the top, the instructors change the odds, change the stakes, and make the situation almost impossible for him to win.

He is advanced ahead of his age, made to prove his value to the older students, and then, when he does, he inevitably alienates some. When he gains acceptance, he is pulled out of his unit, made the commander of his own unit, and left to sink or swim with too many rookie ‘soldiers’. When he nevertheless turns them into an effective fighting force, the odds are stacked against him when the instructors stage daily battles, and then twice daily battles, instead of allowing the usual rest period.

While the training seems nothing short of cruel, and some of the instructors express concerns they may ‘break’ or ‘ruin’ Ender, if one looks closely you realise that the training is nothing more or less than actual simulated battle conditions. There is no mandatory rest period between battles in war. There is no guarantee that one will always have the upper hand, or that one will always have the best soldiers. A commander must make the most of what he has to still produce victory, and it is this for which Ender is actually being trained.

Will he succeed? At the age of eleven, is he capable of leading a space fleet to war… and winning? Should he even be placed in that position, made responsible for the lives of soldiers? While I, as a mother, mourn the loss of the childhood he never had, I can recognise that Ender’s youth makes him more flexible, more durable, than an adult might be. He comes with no pre-conceptions, no skills or beliefs to be unlearned, and has that resilience so common to children. While an adult might break under the pressure, a child may only bend, and so Ender bends, and is moulded into the tool that is needed.

But the moral question remains. Should a child be taken and moulded into a tool, at great personal expense of that child? Can such actions be justified to save the whole of humanity?


But what if you don’t even know if the enemy is coming? What if, maybe, the enemy has learned the error of its ways and has no intention of invading and attacking enemy space? What if it is now us who are the invaders?

I thoroughly enjoyed the direction in which the book led me, the questions it posed, and sharing Ender’s journey and personal dilemmas. While the book is written, at times, ‘simplistically’, and employs ‘telling’ in some cases instead of ‘showing’, it appears from the introduction that Orson Scott Card did this deliberately, believing it made the book more accessible to a wider audience. Perhaps he was right, and perhaps the style of narrative was appropriate for a protagonist aged between six and eleven anyway.

While not the usual type of book I read, I ripped through Ender’s Game in two days, and I’m looking forward to the opportunity to read more in the Ender series in the near future. Highly recommended.