Tag Archives: writing

Pantsing or Plotting: What’s Your Poison?

Do you plot your story down to the last detail before you ever pick up a pen, or are you one of those writers who starts writing with barely a clue of where you are going and fly by the seat of your pants?

Click here to check out my thoughts about plotting versus pantsing  on writer Sherry Soule’s blog.


A Writer’s Need For Validation

Validation


Every writer needs validation. If I’m wrong, and there’s one somewhere who doesn’t, we’ve never heard of him and he’s never shown his work to anyone. 

I’m not criticising this need. I am a writer, after all, and therefore I, too, need validation. I’m not ashamed to admit it. Writing is a solitary business, and it’s a hard and lonely business to bleed one’s soul all over the page in a room on one’s own. Social media has remedied this to some degree, giving writers the comfort and support of a network of like-minded souls who ‘get it’, but it’s not a complete salve. 

Writing is, at its heart, an act of creation. In that sense it is akin to pregnancy and birth. 

I was once remonstrated for saying my pregnancy was so hellish it seriously made me reconsider wanting more children. Apparently this meant I somehow didn’t appreciate my daughter. I replied no, the only thing worse than having gone through my pregnancy to get a baby would have been going through it to get nothing.

Similarly, how soul-destroying is it to go through the painful process of writing fiction and have nothing at the end of it?

Sure, you always have the completed work, but that’s not enough, is it? We don’t just want to stick it in a drawer and let it gather dust. We want people to know we wrote it, we want them to read it, and most of all, we want them to like it.

Writers who seek traditional publishing want their validation in the form of approval by a publisher – someone thought my work was good enough to invest their money in and take a chance on it! You can’t deny the ego stroke in that. 

Why do these writers need someone else to say their work is good enough? Why can’t they just look at it and know it’s good? I’m one of these writers, and I would hazard a guess it’s because we have all, at some point, looked upon a work of ours that we once thought was fantastic and wanted to burn it so no one else would ever read our shame. ‘Good’ is subjective. We can only assess if a work is good as against our current standard. What was our best work ‘at the time’, will in the future, when we improve, become merely ‘OK’ or even ‘bad’. We crave someone else’s approval because we can’t trust our own judgement. 

There’s a quote that says something to the effect of the stupid have boundless self-confidence, while the intelligent or talented are riddled with self-doubt. I suspect that’s because the intelligent or talented know enough to recognise their own shortcomings, and so question themselves constantly. This probably circles back to the four stages of learning, and I suspect it’s why a good writer (of any publishing stripe) so desperately needs validation. 

I’ve heard it said in self-publishing circles that self-published authors don’t need validation; but they do. It doesn’t arrive in the same form as for traditionally published authors, but self-published authors still crave it and need it. Validation in the self-publishing industry comes in the form of book sales, five star reviews, and industry recognition. For the lucky few, it might come in the form of invitations to speak at conferences, or even an offer of a publishing contract. Make no mistake, a publishing contract is the ultimate validation for a self-published author, even if they don’t accept. The author is then in the position to say ‘I’m good enough that you wanted me, but I made it this far on my own, and I don’t need you.’

We’re all the same, at our heart, no matter which way we choose to publish. We have fragile egos, and we spend so much of ourselves in our work we often no longer have the defences necessary to protect ourselves from a cold, harsh reality. We fear rejection, and no publishing path is free of rejection, it’s only the form of rejection that changes. 

We need each other, for support, for encouragement, to keep us going and motivated until we get the validation we need.
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Conflict: How Much Is Enough?

Conflict: how Much Is Enough?
Quite some time ago, Veronica Singleton (@mauied92) asked me if I’d guest blog on a writing-related topic. I agreed, thinking November was such a long way away, and of course, as is nearly always the case, it then rolled around with incredible speed. I’d spent a month frenetically finishing Deathhawk’s Betrayal for submission to Voyager, who were accepting unagented queries for their digital imprint, when suddenly I realised I still needed a topic.

Thus it was that in the space of a few days I had to come up with a topic, write it and send it across. You can find the result, a discussion of conflict in the written story, here

In case you missed it, my short story, A Magical Melody, is available as part of the newly-released Spells: Ten Tales of Magic ebook anthology, available on Amazon and Smashwords.


If you enjoyed this post, please feel free to check out my previous posts if you haven’t already. If you’re finding yourself here often, you might as well join as a member, sign up to the blog through RSS or email, or sign up for the newsletter.

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POV Rules: To Break or Not To Break

POV Rules
A little while ago, I did a post on POV (point of view) on my other blog, Flight of the Dragon, which was fairly well received. As a result of that post, Laura Howard has asked me to do a guest post on her blog.

You can find my guest post, POV: Playing by the Rules, here. It expands on my original post by considering what a rule is and why it is important, touching on the most important POV rules, and then discussing when – and how – it might be appropriate to break the rules.

Please do stop by and comment!


Aerobics for Your Writing

I’m guest posting today over at Kelly Stone Gamble’s blog on the value of writing workshops. A simple writing workshop can really bump your writing to a new level, or help you to clarify a technique that has been tickling away at the back of your brain, almost, almost, almost, but not quite there.

I should know, because I am nearly always doing workshops on areas of my writing that need work, or on topics that interest me – you can check out the full list of the workshops I’ve done in the last 12 months here on my website. So jump on over to Kelly’s blog to read the full post!

If you missed it, check out my review of Kushiel’s Dart by Jacqueline Carey.

If you enjoyed this post, please feel free to check out my previous posts if you haven’t already. If you’re finding yourself here often, you might as well join as a member, sign up to the blog through RSS or email, or sign up for the newsletter.


Don’t forget to share the love and spread the word on Twitter, Facebook or StumbleUpon (or other social networking site of your choice) if you know other people who might also enjoy this. 
 
Thanks for stopping by and visiting with us!